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                        <loc>https://aerykajourdaine.com</loc>
            
            
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                        <loc>https://aerykajourdaine.com/research-writing</loc>
            
            
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&lt;br /&gt;
&lt;span style=&quot;color: rgb(144, 229, 33);&quot;&gt;&lt;b&gt;Inside “My [Master’s] House”:  Racialism’s Renaissance and the Cultural Terror of the Black Femme Celeb Aesthete&lt;/b&gt;&lt;/span&gt; (2026)&lt;br /&gt;
 &lt;i&gt;
&lt;br /&gt;
Women &amp;#x26; Performance: &lt;br /&gt;
a journal of feminist theory&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;a href=&quot;https://drive.google.com/file/d/1XJj5fhGv8kMWna-jsTi2_PEuY2u6SkJT/view?usp=drive_link&quot; style=&quot;color: rgb(144, 229, 33);&quot; target=&quot;_blank&quot;&gt;READ&lt;/a&gt;&lt;i&gt;&lt;br /&gt;
 &lt;/i&gt;&lt;br /&gt;



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                                            <image:caption>&lt;b&gt;&lt;br /&gt;
&lt;span style=&quot;color: rgb(144, 229, 33);&quot;&gt;A Tranifesto for the Dolls: Toward a Trans Femme of Color Theory&lt;/span&gt;&lt;/b&gt;
- Roundtable w/ Erique Zhang, Julian Kevon Kamilah Glover, Ava L.J. Kim, Tamsin Kimoto, Nathan Alexander Moore,  æryka jourdaine hollis o’neil, and LaVelle Ridley (2023)&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;
TSQ: Transgender Studies Quarterly&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;a href=&quot;https://drive.google.com/file/d/1OxylfMOSLUxIIhRkLG-GUmH8g1Pk_Osh/view?usp=drive_link&quot; style=&quot;color: rgb(144, 229, 33);&quot; target=&quot;_blank&quot;&gt;READ&lt;/a&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;
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                                            <image:caption>&lt;b&gt;&lt;br /&gt;
&lt;span style=&quot;color: rgb(144, 229, 33);&quot;&gt;&lt;span class=&quot;no-wrap&quot;&gt;Figuring the Angry Inch:&lt;/span&gt; &lt;br /&gt;
Transnormativity, the Black Femme, and the Fraudulent Phallus; &lt;i&gt;or&lt;/i&gt; Fleshly Remainders of the ‘Ungendered’ and the ‘Unthought’&lt;/span&gt;  &lt;/b&gt;(2018)&lt;b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/b&gt;&lt;i&gt;Feminist Theory&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;a href=&quot;https://drive.google.com/file/d/1ktx0FpyllTWXjXgGmlgbNUKjzxGBOfaf/view?usp=drive_link&quot; style=&quot;color: rgb(144, 229, 33);&quot; target=&quot;_blank&quot;&gt;READ&lt;/a&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://aerykajourdaine.com/films-artistic-work</loc>
            
            
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                        <loc>https://aerykajourdaine.com/teaching</loc>
            
            
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                                            <image:caption>Film Stills from Kahlil Joseph&amp;#x27;s &lt;i&gt;&amp;#x22;BLKNWS: Terms and Conditions&amp;#x22;&lt;/i&gt; (2025), Coralie Fargeat&amp;#x27;s &lt;i&gt;&amp;#x22;The Substance&amp;#x22;&lt;/i&gt; (2024), Anisia Uzeyman &amp;#x26; Saul Williams&amp;#x27; &lt;i&gt;&amp;#x22;Neptune Frost&amp;#x22;&lt;/i&gt; (2021), &lt;br /&gt;
Ja&amp;#x27;Tovia Gary&amp;#x27;s &amp;#x22;&lt;i&gt;The Giverny Document (Single Channel)&amp;#x22;&lt;/i&gt; (2019), and Marlon Riggs&amp;#x27; &lt;i&gt;&amp;#x22;Tongues Untied&amp;#x22; &lt;/i&gt;(1989).</image:caption>
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                        <loc>https://aerykajourdaine.com/cv</loc>
            
            
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            <url>
                        <loc>https://aerykajourdaine.com/contact</loc>
            
            
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            <url>
                        <loc>https://aerykajourdaine.com/events</loc>
            
            
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                                            <image:caption>&lt;br /&gt;
“Neurodiversity, Research Creation and Access in Academic Spaces”&lt;br /&gt;
&lt;br /&gt;
Wednesday, March 11, 2026 | 4:00 - 6:00 PM&lt;br /&gt;
&lt;br /&gt;
McMaster University
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                    <image:loc>https://freight.cargo.site/t/original/i/T2826910653862385250883326182557/Triggers, Reframed | Beyond Resilience x @neworleansfilmsociety</image:loc>
                                            <image:caption>&lt;br /&gt;
Firelight Media&amp;#x27;s Beyond Resilience series co-presented the panel discussion &amp;#x22;Triggers, Reframed&amp;#x22; at the 2024 New Orleans Film Festival. In this panel, we explore frameworks and approaches towards reclaiming intimate and traumatic narratives through a healing-informed lens.</image:caption>
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            <url>
                        <loc>https://aerykajourdaine.com/press</loc>
            
            
            <lastmod>2026-03-06T17:13:00+00:00</lastmod>
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                                            <image:caption>&lt;a href=&quot;https://thequeerreview.com/2024/12/19/the-queer-review-2024-lgbtq-highlights-of-the-year/&quot; rel=&quot;bookmark&quot; style=&quot;color: rgb(144, 229, 33);&quot;&gt;&lt;br /&gt;
The Queer Review &lt;br /&gt;
“LGBTQ+ highlights of 2024”&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;by 
Blake Pruitt&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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                                            <image:caption>&lt;br /&gt;
&lt;a href=&quot;https://www.cinefile.info/cine-list/2024/04/12/041824&quot; style=&quot;color: rgb(144, 229, 33);&quot;&gt;2024 Onion City Experimental Film Festival Review&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;by 
CINE-FILE: Chicago Guide to Independent and Underground Cinema</image:caption>
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